
20,000 leagues of brooding psychological drama
Good afternoon, sci-fi-ophiles. It’s Friday again, and that means a bit of science-fiction news to go with your danish and five o’clock martinis (or whatever it is that you’re sipping on). I finally got a chance to check out Inception, which (I have to admit) is a fantastic dreamscape of a movie that remained compelling throughout. DiCaprio is stunning (as always), and Joseph Gordon-Levitt has really come into his own. Even so, there are some pacing issues in the third act, and the dreams feature a somewhat underwhelming winter fortress (reminiscent of Goldeneye) that just doesn’t mesh with the general tone of the film, but overall, the vision is engaging and stunningly delivered. If you ignore the logical inconsistencies associated with the “limbo” layer of dreaming that Nolan obviously didn’t spend enough time fleshing out, you’ll find yourself enamored with striking visuals and psychological uncertainty of the Nolan’s dream, and I can guarantee that you’ll be thinking about the film for days to come.
Okay, enough about Inception. How about the latest project from David Fincher? Serial-killer tale? Dark vision of American consumeristic apathy? Man who ages in reverse? No. How about Disney’s 20,000 Leagues Under the Sea? That’s right, David Fincher is set to direct the new version of 20,000 Leagues, which he has referred to as his Empire Strikes Back, whatever the hell that means. Apparently, Fincher is going to make something dark and brooding in which the protagonist gets his/her hand sliced off by an estranged family member. Fincher was also quoted as saying that it’s “a gigantic steampunk science fiction movie from 1873,” which sounds perfect!
That’s about it for this week, sci-fans. Check back next Friday for more on the future of sci-fi to come!

Inception...or Goldeneye?
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