Song Il-gon’s 2005 film The Magicians began its life as one of the 30-minute short films that make up Jeonju International Film Festival’s “Short Digital Films by Three Filmmakers” omnibus series. Song then expanded it to an a feature film. Filmed entirely in one take, this digital film takes place on New Year’s Eve in a bar on a mountain owned by Jae-sung (Jeong Woong-in) who is meeting with his former band mate’s Myung-soo (Jang Hyeon-seong) and Ha-yeong (Kang Kyeong-heon). The band broke up three years prior when Ja-eun (Lee Seung-bi) killed herself on New Year’s Eve. Now they are back together to drink and talk and reminisce. Continue Reading…
Archives For Korean Blogathon 2011
Lee Myung-se’s (recently known for his visually stylistic film such as Nowhere to Hide (1999), Duelist (2005), and M (2007)) Gagman (1989) was his debut film, and is about the travails of Lee Jung-sae (Ahn Sung-ki) the titular gagman who has a thing for Charlie Chaplin and cinema. He wants nothing more to escape his current existence by directing a film but the only people he finds to help him are Moon Do-suk (Bae Chang-do) his barber and Oh Son-yong (Hwang Shin-hye) a young head strong (and good looking) female that he meets and ropes into his schemes. And schemes he does, and they turn serious (in a comic way!) when he comes across real guns and decides he will self finance his films. With various banks’ money.
This is not going to end well. Continue Reading…

Pimpin’ Ain’t Easy
My review of Hong-jin Na’s The Chaser
Hong-jin Na’s 2008 thriller, The Chaser, is but a brief glimpse into the chaotic world of pimps, police and killers. Jung-ho Eom (Jun-seok Kim) plays an ex-detective who has turned to the dark side…prostitution.
When we first meet Jung-ho, he is in dire financial trouble as his very talented staff has begun to disappear before clearing their debts with him. There’s almost nothing worse than messing with a pimp’s money, until you start messing with his product. One by one his staff dwindles, and as the pieces from the puzzle slowly fall into place, he realizes that his product is not voluntarily disappearing. Continue Reading…
Bong Joon-ho’s 2006 monster tale, The Host, brings a level of sophistication to the monster movie genre with a combination of several genres all working to develop the narrative and its characters. The story follows a snack car employee Park Gang-du (Song Kang-ho), his father, Hee-bong (Byeon Hee-bong), daughter Hyun-seo (Ko Ah-seong), sister Nam-joo (Bae Doona), who’s an archer, and Gang-du‘s brother Nam-il (Park Hae-il), an alcoholic former activist who has not done much since graduating.
The story focuses on the family dealing with an unexpected attack by a mutated amphibian monster that emerged as a result of dumping formaldehyde in the Han River. The monster takes Hyun-seo seemingly killing her until Gang-du receives a call from Hyun-seo informing him that she was in fact still alive but trapped in the monster’s sewer lair.Gang-du and his family set out to save his daughter but must get by the government and the monster in order to do so. Continue Reading…
The Man From Nowhere (dir. Lee Jeong-beom, 2010) is about a man, Cha Tae-sik (Won Bin), who wants to be left alone to dwell in his mysterious past, his next door neighbor Hyo-jeong (Kim Hyo-seo) who is a drug addict and involved in VERY BAD THINGS, and her daughter Soo-mi (Kim Sae-ron) who has no one to talk to except for this man. As in any crime/thriller movie, stealing from gangsters is bad and when Hyo-jeong and her junky boyfriend steal from the wrong people Soo-mi gets taken and Tae-sik must rescue her. With shades of Leon: The Professional (dir. Luc Besson, 1994), there is even a cactus that Tae-sik takes care of, this film became the biggest hit of the year even knocking aside Inception (dir. Christopher Nolan, 2010) with 6.2 million people seeing the film. Just released on DVD and Blu-ray by Well Go USA, I decided to pop it in my Blu-ray player and check it out. Here’s what I thought. Some minor spoilers, although spoiled on the synopsis on the back of the box, follow so don’t click if you really want to remain surprised by the all too obvious mysterious past. Continue Reading…
Kim Jee-woon’s The Good, The Bad, The Weird is a South Korean spaghetti western that opens up in China with three opposing parties bearing down on the same train, each with varying motives: Park Chang-yi, the most renowned bandit/killer in all of Manchuria is sent to pilfer a particular cargo – a treasure map leading to a vast fortune. A bumbling yet insanely agile thief named Tae-goo is also after the same item, looking to change the fortune of his life as well as his grandmother’s. Last but not least, the veteran bounty hunter Park Do-won, hungry for the chance to capture Park Chan-yi. When the bumbling thief makes off with the map – amid a great shootout scene – he discovers that the map he holds leads to a treasure that will affect not only his life, but the fate of nations. The film plays out like an enormous chase/race to the finish, with tons of firefights and a body count that sprawls all across China.
On a side note, I now need to purchase a kick ass duster coat and a matching vest.
Dai Sil Kim-Gibson’s Sa-I-Gu (1993, 3/4″ video 36 minutes) is a documentary focusing on the 1992 Los Angeles Riots from the perspective of Korean women shopkeepers. Broadcast on PBS’s POV September 1993, this documentary takes these women’s personal stories and explores race relations, poverty, and the immigrant experience as well as the media’s portrayal of the event as a Black v. Korean conflict. This film will be part of the Korean American Film Festival New York, which is largely documentary heavy. Dai Sil Kim-Gibson came to the US in 1962 to pursue graduate studies and after receiving a Ph.D. in religion from Boston University and teaching at Mount Holyoke College she began a career working at National Endowment for the Humanities and was director of the media program of the New York State Council on the Arts. In 1988 she left to pursue a film career and has since produced a series of provocative and important documentary works. The KAFFNY will screen Sa-I-Gu: From Korean Women’s Perspectives, Wet Sand: Voices from LA (2004), Olivia’s Story, directed by Charles Burnett (1999), A Forgotten People: The Sakhalin Koreans (1995) Motherland (2006) and Silence Broken: Korean Comfort Women(1999). You can find the info here. Continue Reading…

The only thing Jaemin (Hwang Je-sung), an entertainment manager, cares for other than his ex-wife Koo Hara (voice by Kong Hyo-Jin) is his job — caring for his clients (the actors and the actresses), coaxing them into making decisions, and generally suffering for them. One of his clients, Hyuk-Kwon (Park Hyuk-Kwon), is obsessed about whether he needs to say teat or nipple while auditioning (it’s a long story so don’t ask why that became his main concern, that’s what he is and that’s one of many reasons why Jaemin’s life is so hard). Jaemin’s sisters and their spouses, who are gathered to celebrate his birthday, keep telling Jaemin to reunite with Hara in a very nonchalant manner (since they are also very busy with their own personal relationship issues). And, of course, Hara doesn’t seem to care about Jaemin even though she never cuts Jaemin’s call off.
This is you’ll see from the first two episodes of the first season of Indie Sitcom Read My Lips. The first season of Read My Lips was released on vimeo for free begining in May with the last episode released in July. Every character, every situation, every moment, and every line in Read My Lips is awkward, weird, and sometimes even bizarre. Yes, it is hard to watch people doing these stupid things but it is not easy to hate any of them, or to look away from the screen during any of these moments. Through brief interviews inserted during the episodes, we can understand more about their real mind, which is honestly (and endearingly) embarrassing. As many of you may notice, Read My Lips is Korean indie film version of the television series The Office but has its own charming sense of humor and world.
The following article is from a twitter interview with the director Yoon Seong-Ho, conducted in July. Ten official questions and answers (and additional sister questions and answers) were asked, each question and answer was contained in one twit in Korean and later translated into English. Continue Reading…
Now in its fifth year, the annual Korean American Film Festival (KAFFNY) is the only New York based independent film festival showcasing Korean American and Korean diasporic perspectives in film. Since 2006, KAFFNY has broadened its programming to include international films and videos by Korean and as well as non-Korean filmmakers.
For its fifth anniversary, KAFFNY presents New York audiences with a challenging and innovative program ranging from groundbreaking early Korean cinema to the most current emerging Korean American films.
This year KAFFNY honors the veteran documentary filmmaker Dai-Sil Kim-Gibson with a retrospective of six pioneering films that powerfully capture the complexities of the Korean diaspora. Special guest and long-time collaborator Charles Burnett will join Dai Sil Kim Gibson for a discussion about the LA Riots, 19 years later, after the screening of her documentaries SA-I-GU and WET SAND: VOICES OF LA.
KAFFNY’s opening night presentation features a live re-score of the seminal Korean Golden age drama MADAME FREEDOM (1956) by Paul Miller aka DJ Spooky with virtuoso violinist Sean Lee and acclaimed cellist Okkyung Lee. KAFFNY will screen over 14 feature films and more than 25 short films by emerging and established Korean American, Korean and international directors. Continue Reading…
Inspired by the Japanese Blogathon run by the WildGrounds website for the last two years (see here: http://bit.ly/ht0Jxe), New Korean Cinema and cineAWESOME! have decided to steal been inspired by the idea and are joining forces to create our own Korean Blogathon in the hope that we can encourage you – yes, you! – to share and discover opinions and ideas about Korean cinema. It’s open to anyone – wherever you are around the world and whichever language you speak.
We’re hoping that for one week – 7th to the 13th March – we can encourage as many people as possible to get involved writing about Korean cinema. Hopefully over the week this will kick up some really interesting posts – and most importantly that people will discover films and ideas that they’ve never come across before, maybe learn a little about Korean film history, or maybe even discover websites and blogs they were previously unaware of.
Ideas for blog posts might include reviews, top tens, opinions on favourite directors / actors / genres, whatever you want – it just needs to be related to Korean cinema in some way.
All you need to do is to write a post – or as many posts as you want over the seven days – on your blog or website and then send an e-mail with your link to blogathon@newkoreancinema.com and we’ll post a link to you from the site. You can also post your own links on our Facebook page (which is here: http://on.fb.me/hdCT5L) or we will do it for you, and we’ll Tweet links to your posts throughout the week: Twitter tag for the week will be #koreablog. If you want to use one of our ‘Korean Blogathon 2011′ banner they can be downloaded from here: http://db.tt/Q9OOiWJ
So don’t forget: 7th to the 13th March is the Korean Blogathon. Get involved!















